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Lecture

gabrielle-lucie03_webgabrielle02-helen_webLFTT_Brackwede_Mai 2016_50-webSince June 2015, the artist Angelika Höger of Artists Unlimited has taken care of a selection of the library, which consists of “cultural instructions”, specially for Bielefeld. This special collection includes books on natural sciences and gardening, practical instruction manuals and modern self-help literature. For almost a year now, artists from Bielefeld have been dealing with the library, expanding its potential for meaning and opening it to for experimental readings.

In May 2016 The LFTT Library was invited to programme an exhibition and series of events at Brackwede District Library as part of ‘lAb’ (www.lab-artistsunlimited.de) an ongoing project of curator Anna Jehle. This invitation was a welcome opportunity to showcase the development of the work.  The project was a collaboration between Brackwede District library as host, the Bielefeld Artist Association Artists Unlimited (inc. Angelika Höger) and The LFTT Library. The invited artists were; Vera Brüggemann, Viola Friedrich, Helen Horgan, Angelika Höger, Antje Löbel, Gabriele Undine Meyer and Hildegard Nattebrede. During the exhibition in the District library the selection was open to the public and a number of events took place including a performance by Oona Kastner and Markus Schwartze

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DSC_4312On Friday the 5th of October we held a talk in The Library about the projects history so far. The talk was very well attended and there was a lot of questions from the audience. It was one of the first times I became aware of how much the project could mean to the public. In casual conversation with other art practioners there was often the belief that I may have taken on something potentially useless and/or antiquated. The response from the public began to show a very real interest in the heritage of the collection. Sometimes this concern for preservation went to the extreme and there was expressions to the effect that the books might better be kept in a more stable and controlled environment, away from the touches of (artists and the publics) grubby hands. Of course with a traveling library this isn’t possible, or probably even necessary. The librarian at Dublins Marshes Library (the countries oldest) told me she encourages the public to handle their ancient tomes without gloves, bare handed, since the older books (pre 1900’s) are actually made of sturdier stuff than those made by contemporary processes. In any case, nothing, not even a library, lasts forever.