In August 2013 violinist and performance artist Katherine Atkinson was invited to respond to The LFTT exhibition Things In Translation: The Legs Foundation at Highlanes Gallery. She decided to stem her performance quite literally from the individual works themselves, enacting an intimate one-one-one engagement with the textures and forms they evoked. It was quite ‘spellbinding’!
Katherine’s work is inspired by physical theatre, using strong visual images as part of the performance. When performing the violin becomes an extension of her physical self, another part of her body as well as an extension of her voice. Inspired by physical theatre, Atkinson uses strong visual images as part of her performance, often responding to specific architectures and environments in an exploration of the boundaries between public and private space.
Katherine says of her practice “I am interested in testing performance concepts in public spaces. I am fascinated by the ways in which audiences respond to public performances, and I have researched this in both my performance work and through academic research.
The encountering of visceral experiences through the physical, sensory and emotional archaeology of an edifice is an inspiring premise. I am interested in looking at the envelope of a building, thinking about the site, ruminating over its purpose, imagining who’s been there before, and sensing who’s there now. It is fascinating to contemplate how a space may change over time, or even in a moment. Wrapped within a site, it is exciting to imagine how the space could be transformed through music and movement by responding to surfaces and textures, floors and ceilings, nooks and corners, light, dark and all shades in between, constructing a physical audio-active foundation for the building.” Read More
Installation work by visual artist Méadhbh O’Connor made on occasion of the LFTT Library Residency at Broadstone Studios in October 2011. The work was installed in The Library in reference to Jorge Luis Borges’ short, allegorical story ‘The Library of Babel’ in which the universe is composed of an infinite number of interlocking hexagonal galleries, each housing twenty shelves of books. The books contain every possible ordering of just a few basic characters: 22 letters, spaces and punctuation marks, which leads to the frantic, cultish and chaotic efforts of the Universe’s inhabitants to decipher meaning from the books. For The LFTT Library Broadstone Residency, Méadhbh installed a passageway of hexagons out of creeper vine to lead visitors into the LFTT Library, marking it as one room of possible arrangements of language and meaning from Borge’s allegorical universe. The work remains installed at Broadstone Studios.
http://www.meadhbhoconnor.info/ Read More